{"id":4535,"date":"2016-03-30T02:50:31","date_gmt":"2016-03-29T19:50:31","guid":{"rendered":"http:\/\/us95.net\/?page_id=4535"},"modified":"2020-12-10T22:59:11","modified_gmt":"2020-12-10T15:59:11","slug":"chuyen-nghanh-cong-nghe-dung-phim","status":"publish","type":"post","link":"https:\/\/us95.net\/2016\/03\/30\/chuyen-nghanh-cong-nghe-dung-phim\/","title":{"rendered":"Chuy\u00ean ngh\u00e0nh C\u00f4ng ngh\u1ec7 d\u1ef1ng phim"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n
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T\u00ean chuy\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o<\/span><\/p>\n<\/td>\n

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: C\u00f4ng ngh\u1ec7 d\u1ef1ng phim<\/span><\/p>\n<\/td>\n<\/tr>\n

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T\u00ean chuy\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o (ti\u1ebfng Anh)<\/span><\/p>\n<\/td>\n

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: Film editing technology<\/span><\/p>\n<\/td>\n<\/tr>\n

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T\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o<\/span><\/p>\n<\/td>\n

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: C\u00f4ng ngh\u1ec7 \u0111i\u1ec7n \u1ea3nh – truy\u1ec1n h\u00ecnh<\/span><\/p>\n<\/td>\n<\/tr>\n

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T\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o (ti\u1ebfng Anh)<\/span><\/p>\n<\/td>\n

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: Film and television technology<\/span><\/p>\n<\/td>\n<\/tr>\n

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M\u00e3 ng\u00e0nh<\/span><\/p>\n<\/td>\n

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: 52210302<\/span><\/p>\n<\/td>\n<\/tr>\n

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Tr\u00ecnh \u0111\u1ed9 \u0111\u00e0o t\u1ea1o<\/span><\/p>\n<\/td>\n

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: \u0110\u1ea1i h\u1ecdc<\/span><\/p>\n<\/td>\n<\/tr>\n

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H\u00ecnh th\u1ee9c \u0111\u00e0o t\u1ea1o<\/span><\/p>\n<\/td>\n

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: Ch\u00ednh quy<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n

C\u00d4NG NGH\u1ec6 D\u1ef0NG PHIM<\/span><\/strong><\/p>\n

B\u1ea1n c\u00f3 mu\u1ed1n tr\u1edf th\u00e0nh m\u1ed9t ng\u01b0\u1eddi d\u1ef1ng phim chuy\u00ean nghi\u1ec7p l\u00e0m vi\u1ec7c t\u1ea1i c\u00e1c h\u00e3ng phim l\u1edbn, c\u00e1c \u0111\u00e0i ph\u00e1t thanh – truy\u1ec1n h\u00ecnh hay c\u00e1c c\u00f4ng ty truy\u1ec1n th\u00f4ng \u0111a ph\u01b0\u01a1ng ti\u1ec7n? M\u1ed9t c\u00f4ng vi\u1ec7c \u0111\u1ea7y s\u00e1ng t\u1ea1o trong s\u1ef1 t\u1ed5ng h\u00f2a gi\u1eefa k\u1ef9 thu\u1eadt v\u00e0 ngh\u1ec7 thu\u1eadt. H\u00e3y \u0111\u0103ng k\u00fd chuy\u00ean ng\u00e0nh C\u00f4ng ngh\u1ec7 d\u1ef1ng phim \u0111\u1ec3 b\u1eaft \u0111\u1ea7u d\u1ef1ng x\u00e2y t\u01b0\u01a1ng lai c\u1ee7a b\u1ea1n t\u1eeb h\u00f4m nay.<\/span><\/em><\/p>\n

\u00a0<\/span><\/em><\/p>\n

I.<\/span><\/strong>Ch\u01b0\u01a1ng tr\u00ecnh h\u1ecdc:<\/span><\/strong><\/p>\n

B\u00ean c\u1ea1nh nh\u1eefng m\u00f4n h\u1ecdc ki\u1ebfn th\u1ee9c c\u01a1 b\u1ea3n b\u1eaft bu\u1ed9c theo quy ch\u1ebf c\u1ee7a B\u1ed9 Gi\u00e1o d\u1ee5c v\u00e0 \u0110\u00e0o t\u1ea1o, ch\u01b0\u01a1ng tr\u00ecnh \u0111\u00e0o t\u1ea1o C\u00f4ng ngh\u1ec7 d\u1ef1ng phim \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c nh\u01b0 sau:<\/span><\/p>\n

N\u0103m 1:<\/span><\/strong><\/p>\n

Sinh vi\u00ean \u0111\u01b0\u1ee3c cung c\u1ea5p c\u00e1c ki\u1ebfn th\u1ee9c c\u01a1 s\u1edf li\u00ean ng\u00e0nh nh\u01b0: C\u01a1 s\u1edf k\u1ef9 thu\u1eadt \u00e2m thanh v\u00e0 \u00e1nh s\u00e1ng trong \u0111i\u1ec7n \u1ea3nh, truy\u1ec1n h\u00ecnh; X\u1eed l\u00fd t\u00edn hi\u1ec7u s\u1ed1 video v\u00e0 audio; Quy tr\u00ecnh c\u00f4ng ngh\u1ec7 s\u1ea3n xu\u1ea5t \u0111i\u1ec7n \u1ea3nh – truy\u1ec1n h\u00ecnh….<\/span><\/p>\n

N\u0103m 2:<\/span><\/strong><\/p>\n

Sinh vi\u00ean \u0111\u01b0\u1ee3c h\u01b0\u1edbng d\u1eabn th\u1ef1c h\u00e0nh tr\u00ean c\u00e1c Modul thi\u1ebft k\u1ebf theo b\u00e0i h\u1ecdc ho\u1eb7c m\u00f4 ph\u1ecfng tr\u00ean m\u00e1y vi t\u00ednh; th\u1ef1c h\u00e0nh tr\u1ef1c ti\u1ebfp tr\u00ean thi\u1ebft b\u1ecb t\u1ea1i Trung t\u00e2m K\u1ef9 thu\u1eadt \u00c2m thanh, \u00c1nh s\u00e1ng. Sinh vi\u00ean \u0111\u01b0\u1ee3c cung c\u1ea5p ki\u1ebfn th\u1ee9c v\u1ec1 k\u1ef9 thu\u1eadt ph\u1ea7n c\u1ee9ng thi\u1ebft b\u1ecb, c\u00e1c c\u00f4ng \u0111o\u1ea1n ch\u00ednh trong l\u0129nh v\u1ef1c \u0111i\u1ec7n \u1ea3nh, truy\u1ec1n h\u00ecnh.<\/span><\/p>\n

N\u0103m 3:<\/span><\/strong><\/p>\n

Sinh vi\u00ean \u0111\u01b0\u1ee3c cung c\u1ea5p c\u00e1c ki\u1ebfn th\u1ee9c chuy\u00ean ng\u00e0nh \u0111\u1eb7c th\u00f9, c\u00f3 s\u1ef1 \u0111an xen gi\u1eefa k\u1ef9 thu\u1eadt v\u00e0 ngh\u1ec7 thu\u1eadt nh\u01b0: Ngh\u1ec7 thu\u1eadt d\u1ef1ng phim \u0111i\u1ec7n \u1ea3nh – truy\u1ec1n h\u00ecnh; Nghi\u1ec7p v\u1ee5 \u0111\u1ea1o di\u1ec5n; K\u1ef9 thu\u1eadt v\u00e0 thi\u1ebft b\u1ecb d\u1ef1ng phim; \u0110\u1ed3 h\u1ecda vi t\u00ednh 2D, 3D… Sinh vi\u00ean s\u1ebd \u0111\u01b0\u1ee3c th\u1ef1c h\u00e0nh chi\u1ebfu s\u00e1ng, ghi h\u00ecnh, ghi \u00e2m t\u1ea1i tr\u01b0\u1eddng quay v\u00e0 ph\u00f2ng d\u1ef1ng tr\u00ean c\u00e1c h\u1ec7 th\u1ed1ng m\u00e1y t\u00ednh chuy\u00ean d\u1ee5ng v\u00e0 c\u00e1c thi\u1ebft b\u1ecb k\u1ef9 thu\u1eadt video, audio, thi\u1ebft b\u1ecb chi\u1ebfu s\u00e1ng hi\u1ec7n \u0111\u1ea1i.<\/span><\/p>\n

N\u0103m 4:<\/span><\/strong><\/p>\n

Sinh vi\u00ean ho\u00e0n t\u1ea5t c\u00e1c m\u00f4n h\u1ecdc chuy\u00ean ng\u00e0nh trong h\u1ecdc k\u1ef3 I, h\u1ecdc k\u1ef3 cu\u1ed1i kh\u00f3a l\u00e0 th\u1eddi gian d\u00e0nh cho Th\u1ef1c t\u1eadp t\u1ed1t nghi\u1ec7p v\u00e0 vi\u1ebft \u0110\u1ed3 \u00e1n t\u1ed1t nghi\u1ec7p.<\/span><\/p>\n

    \n
  1. V\u1ecb tr\u00ed c\u1ee7a ng\u01b0\u1eddi h\u1ecdc sau khi t\u1ed1t nghi\u1ec7p<\/span><\/strong><\/li>\n
  2. Sau khi t\u1ed1t nghi\u1ec7p, sinh vi\u00ean c\u00f3 th\u1ec3 \u0111\u1ea3m nh\u1eadn c\u00f4ng vi\u1ec7c d\u1ef1ng phim t\u1ea1i c\u00e1c h\u00e3ng phim, c\u00e1c \u0111o\u00e0n l\u00e0m phim, c\u00e1c \u0111\u01a1n v\u1ecb l\u00e0m phim tr\u1ef1c thu\u1ed9c c\u00e1c b\u1ed9, ng\u00e0nh trong c\u1ea3 n\u01b0\u1edbc, c\u00e1c \u0111\u00e0i truy\u1ec1n h\u00ecnh trung \u01b0\u01a1ng v\u00e0 \u0111\u1ecba ph\u01b0\u01a1ng, c\u00e1c c\u00f4ng ty truy\u1ec1n th\u00f4ng, qu\u1ea3ng c\u00e1o.<\/span><\/li>\n
  3. L\u00e0m c\u00e1n b\u1ed9 nghi\u00ean c\u1ee9u ho\u1eb7c tham gia tr\u1ee3 gi\u1ea3ng c\u00e1c m\u00f4n chuy\u00ean m\u00f4n thu\u1ed9c chuy\u00ean ng\u00e0nh c\u00f4ng ngh\u1ec7 d\u1ef1ng phim, \u00e2m thanh \u0111i\u1ec7n \u1ea3nh \u2013 truy\u1ec1n h\u00ecnht\u1ea1i c\u00e1c tr\u01b0\u1eddng \u0111\u00e0o t\u1ea1o \u0111i\u1ec7n \u1ea3nh – truy\u1ec1n h\u00ecnh trong c\u1ea3 n\u01b0\u1edbc.<\/span><\/li>\n<\/ol>\n

    III. Kh\u1ea3 n\u0103ng h\u1ecdc t\u1eadp, n\u00e2ng cao tr\u00ecnh \u0111\u1ed9 sau khi ra tr\u01b0\u1eddng<\/span><\/strong><\/p>\n

      \n
    1. Sau khi t\u1ed1t nghi\u1ec7p k\u1ef9 s\u01b0 c\u00f4ng ngh\u1ec7 chuy\u00ean ng\u00e0nh C\u00f4ng ngh\u1ec7 d\u1ef1ng phim, sinh vi\u00ean c\u00f3 th\u1ec3 \u0111\u0103ng k\u00fd ti\u1ebfp t\u1ee5c h\u1ecdc l\u00ean tr\u00ecnh \u0111\u1ed9 th\u1ea1c s\u0129 \u1edf c\u00e1c tr\u01b0\u1eddng \u0111\u1ea1i h\u1ecdc k\u1ef9 thu\u1eadt, ho\u1eb7c h\u1ecdc v\u0103n b\u1eb1ng hai ng\u00e0nh ngh\u1ec7 thu\u1eadt t\u1ea1i c\u00e1c tr\u01b0\u1eddng \u0111\u00e0o t\u1ea1o ngh\u1ec7 thu\u1eadt trong v\u00e0 ngo\u00e0i n\u01b0\u1edbc.<\/span><\/li>\n
    2. Tham gia c\u00e1c kho\u00e1 h\u1ecdc ng\u1eafn h\u1ea1n, trung h\u1ea1n ho\u1eb7c d\u00e0i h\u1ea1n \u1edf trong v\u00e0 ngo\u00e0i n\u01b0\u1edbc \u0111\u1ec3 n\u00e2ng cao tr\u00ecnh \u0111\u1ed9 chuy\u00ean m\u00f4n, nghi\u1ec7p v\u1ee5.<\/span><\/li>\n
    3. C\u00e1c ch\u01b0\u01a1ng tr\u00ecnh, t\u00e0i li\u1ec7u, chu\u1ea9n qu\u1ed1c t\u1ebf m\u00e0 nh\u00e0 tr\u01b0\u1eddng tham kh\u1ea3o<\/span><\/strong><\/li>\n<\/ol>\n

      – \u0410. \u0413. \u0421\u043e\u043a\u043e\u043b\u043e\u0432 (2001), \u041c\u043e\u043d\u0442\u0430\u0436: \u0442\u0435\u043b\u0435\u0432\u0438\u0434\u0435\u043d\u0438\u0435, \u043a\u0438\u043d\u043e, \u0432\u0438\u0434\u0435\u043e \u2014 Editing: television, cinema, video (D\u1ef1ng phim \u0111i\u1ec7n \u1ea3nh, truy\u1ec1n h\u00ecnh, video), M.: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u00ab625\u00bb, 2001.\u2014207\u0441: \u0438\u043b. \u0423\u0447\u0435\u0431\u043d\u0438\u043a. \u0427\u0430\u0441\u0442\u044c \u0432\u0442\u043e\u0440\u0430\u044f \u0420\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u041b. \u041d. \u041d\u0438\u043a\u043e\u043b\u0430\u0435\u0432\u0430 \u041a\u043e\u043d\u0441\u0443\u043b\u044c\u0442\u0430\u0446\u0438\u0438 \u043f\u043e \u043c\u0430\u043a\u0435\u0442\u0443 \u041e. \u0410. \u041a\u0438\u0440\u0438\u0447\u0435\u043d\u043a\u043e.<\/span><\/p>\n

      – Peter Ward (2005), Picture Composition for Film and Television (B\u1ed1 c\u1ee5c khu\u00f4n h\u00ecnh \u0111i\u1ec7n \u1ea3nh v\u00e0 truy\u1ec1n h\u00ecnh), \u041f\u0438\u0442\u0435\u0440 \u0423\u043e\u0440\u0434:\u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f \u043a\u0430\u0434\u0440\u0430 \u0432 \u043a\u0438\u043d\u043e \u0438 \u043d\u0430 \u0442\u0435\u043b\u0435\u0432\u0438\u0434\u0435\u043d\u0438\u0438, \u041c\u043e\u0441\u043a\u0432\u0430 \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0413\u0418\u0422\u0420, \u0421\u0435\u0440\u0438\u044f \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0430 \u0432 2001 \u0433\u043e\u043b\u0443. \u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u0441 \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u0414. \u041c. \u0410\u0435\u043c\u0443\u0440\u043e\u0432\u043e\u0439, \u042e. \u0412. \u0412\u043e\u043b\u043a\u043e\u0432\u043e\u0439 \u043f\u043e\u0434 \u0440\u0435\u0434\u0430\u043a\u0446\u0438\u0435\u0439 \u0421. \u0418. \u0416\u0434\u0430\u043d\u043e\u0432\u043e\u0439<\/span><\/p>\n

      – A.Golovnhia (1965), Ngh\u1ec7 thu\u1eadt quay phim, Nxb Ixkuxtvo, Moskva.<\/span><\/p>\n

      – Me\u0111\u01b0xki (2004), Ngh\u1ec7 thu\u1eadt quay phim t\u00e0i li\u1ec7u (T\u1eadp 1), Nxb 625, Moskva<\/span><\/p>\n

      – Me\u0111\u01b0xki (2006), Ngh\u1ec7 thu\u1eadt quay phim t\u00e0i li\u1ec7u (T\u1eadp 2), Nxb 625, Moskva.<\/span><\/p>\n

      – B.Gielejnhiacov (2001), M\u00e0u s\u1eafc v\u00e0 t\u01b0\u01a1ng ph\u1ea3n, H\u1ecdc vi\u1ec7n VGIK<\/span><\/p>\n

      – Joseph V.Mascenll (Tr\u1ea7n V\u0103n Cang d\u1ecbch) (1991), Ngh\u1ec7 thu\u1eadt quay phim v\u00e0 video, Nxb Cine\/grafic Holliwood, Nxb Th\u00f4ng tin, H\u00e0 N\u1ed9i.<\/span><\/p>\n

      – Charles S. Swartz (2004), Understanding of Digital Cinema (Co ban ve Dien anh ky thuat so), Publisher Forcal Press.<\/span><\/p>\n

      – Blain Brown (2007), Motion picture and video lighting (Chi\u1ebfu s\u00e1ng \u0111i\u1ec7n \u1ea3nh v\u00e0 video), Second Edition, Amsterdam \u2022 Boston \u2022 Heidelberg \u2022 London New York \u2022 Oxford \u2022 Paris \u2022 San Diego .San Francisco \u2022 Singapore \u2022 Sydney \u2022 Tokyo, Focal Press is an imprint of Elsevier, Includes index, ISBN-13: 978-0-240-80763-8 (pbk. : alk. paper) 1. Cinematography\u2013Lighting. 2. Vidleo recording\u2013Lighting. I. Title. TR891.B76 2007<\/span><\/p>\n

      – John Jackman (2010), Lighting for Digital Video and Television (Chi\u1ebfu s\u00e1ng k\u1ef9 thu\u1eadt s\u1ed1 video v\u00e0 truy\u1ec1n h\u00ecnh), Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA, The Boulevard, Langford Lane, Kidling ton, Oxford, OX5 1GB, UK \u00a9 2010 ELSEVIER Inc. All rights reserved.<\/span><\/p>\n

      – Roy Thomson, (2009), Grammar of the edit (D\u1ef1ng phim c\u01a1 b\u1ea3n) \u2013 Focal Press, 2009.<\/span><\/p>\n

      – Ken Dancyger (2008), The technicque of Film and Video editing (K\u1ef9 thu\u1eadt d\u1ef1ng phim v\u00e0 video)\u00a0 \u2013 Focal Press, 2008.<\/span><\/p>\n

      – Steve Wright (2008).\u00a0 Compositing Visual Effects (D\u1ef1ng k\u1ef9 x\u1ea3o) – Focal Press, 2008.<\/span><\/p>\n

      \u00a0<\/span><\/strong><\/p>\n

      TUY\u1ec2N SINH<\/span><\/strong><\/p>\n

      (Th\u00f4ng tin mang t\u00ednh tham kh\u1ea3o, m\u1ecdi chi ti\u1ebft v\u1ec1 th\u1ec3 th\u1ee9c thi tuy\u1ec3n v\u00e0 m\u00f4n thi \u0111\u01b0\u1ee3c n\u00eau chi ti\u1ebft trong th\u00f4ng b\u00e1o tuy\u1ec3n sinh h\u1eb1ng n\u0103m c\u1ee7a <\/span>Tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc S\u00e2n kh\u1ea5u – \u0110i\u1ec7n \u1ea3nh H\u00e0 N\u1ed9i <\/span>tr\u00ean website:<\/span> http:\/\/us95.net ho\u1eb7c qua c\u1ed5ng th\u00f4ng tin tuy\u1ec3n sinh c\u1ee7a B\u1ed9 Gi\u00e1o d\u1ee5c v\u00e0 \u0110\u00e0o t\u1ea1o)<\/span><\/p>\n

      Kh\u1ed1i thi S1<\/p>\n

      Trong tr\u01b0\u1eddng h\u1ee3p v\u1eabn<\/span> c\u00f2n ch\u1ec9 ti\u00eau<\/span>, Tr\u01b0\u1eddng s\u1ebd ti\u1ebfp t\u1ee5c x\u00e9t tuy\u1ec3n nguy\u1ec7n v\u1ecdng 2<\/span>.<\/span><\/p>\n

      Th\u1ee7 t\u1ee5c x\u00e9t tuy\u1ec3n theo \u0111\u00fang quy ch\u1ebf tuy\u1ec3n sinh \u0111\u1ea1i h\u1ecdc, cao \u0111\u1eb3ng ch\u00ednh quy h\u1eb1ng n\u0103m c\u1ee7a B\u1ed9 Gi\u00e1o d\u1ee5c v\u00e0 \u0110\u00e0o t\u1ea1o.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

      T\u00ean chuy\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o : C\u00f4ng ngh\u1ec7 d\u1ef1ng phim T\u00ean chuy\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o (ti\u1ebfng Anh) : Film editing technology T\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o : C\u00f4ng ngh\u1ec7 \u0111i\u1ec7n \u1ea3nh – truy\u1ec1n h\u00ecnh T\u00ean ng\u00e0nh \u0111\u00e0o t\u1ea1o (ti\u1ebfng Anh) : Film and television technology M\u00e3 ng\u00e0nh : 52210302 Tr\u00ecnh \u0111\u1ed9 \u0111\u00e0o t\u1ea1o : \u0110\u1ea1i h\u1ecdc […]\n","protected":false},"author":3,"featured_media":10777,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[161,84],"tags":[],"_links":{"self":[{"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/posts\/4535"}],"collection":[{"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/comments?post=4535"}],"version-history":[{"count":0,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/posts\/4535\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/media\/10777"}],"wp:attachment":[{"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/media?parent=4535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/categories?post=4535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/us95.net\/wp-json\/wp\/v2\/tags?post=4535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}